This is what George Monbiot made of it, in The Guardian:
Don't let truth stand in the way of a red-hot debunking of climate change
Were it not for dissent, science, like politics, would have stayed in the dark ages. All the great heroes of the discipline - Galileo, Newton, Darwin, Einstein - took tremendous risks in confronting mainstream opinion. Today's crank has often proved to be tomorrow's visionary.
But the syllogism does not apply. Being a crank does not automatically make you a visionary. There is little prospect, for example, that Dr Mantombazana Tshabalala-Msimang, the South African health minister who has claimed Aids can be treated with garlic, lemon and beetroot, will be hailed as a genius. But the point is often confused. Professor David Bellamy, for example, while making the incorrect claim that wind farms do not have "any measurable effect" on total emissions of carbon dioxide, has compared himself to Galileo.
The problem with The Great Global Warming Swindle, which caused a sensation when it was broadcast on Channel 4 last week, is that to make its case it relies not on future visionaries, but on people whose findings have already been proved wrong. The implications could not be graver. Just as the government launches its climate change bill and Gordon Brown and David Cameron start jostling to establish their green credentials, thousands have been misled into believing there is no problem to address.
The film's main contention is that the current increase in global temperatures is caused not by rising greenhouse gases, but by changes in the activity of the sun. It is built around the discovery in 1991 by the Danish atmospheric physicist Dr Eigil
Friis-Christensen that recent temperature variations on Earth are in "strikingly good agreement" with the length of the cycle of sunspots.
Unfortunately, he found nothing of the kind. A paper published in the journal Eos in 2004 reveals that the "agreement" was the result of "incorrect handling of the physical data". The real data for recent years show the opposite: that the length of the sunspot cycle has declined, while temperatures have risen. When this error was exposed, Friis-Christensen and his co-author published a new paper, purporting to produce similar results. But this too turned out to be an artefact of mistakes - in this case in their arithmetic.
So Friis-Christensen and another author developed yet another means of demonstrating that the sun is responsible, claiming to have discovered a remarkable agreement between cosmic radiation influenced by the sun and global cloud cover. This is the mechanism the film proposes for global warming. But, yet again, the method was exposed as faulty. They had been using satellite data
which did not in fact measure global cloud cover. A paper in the Journal of
Atmospheric and Solar-Terrestrial Physics shows that, when the right data are used, a correlation is not found.
So the hypothesis changed again. Without acknowledging that his previous paper was wrong, Friis-Christensen's co-author, Henrik Svensmark, declared there was a correlation - not with total cloud cover but with "low cloud cover". This, too, turned out to be incorrect. Then, last year, Svensmark published a paper purporting to show cosmic rays could form tiny particles in the atmosphere. Accompanying the paper was a press release which went way beyond the findings reported in the paper, claiming it showed that both past and current climate events are the result of cosmic rays.
As Dr Gavin Schmidt of Nasa has shown on www.realclimate.org, five missing steps would have to be taken to justify the wild claims in the press release. "We've often criticised press releases that we felt gave misleading impressions of the underlying work," Schmidt says, "but this example is by far the most blatant extrapolation beyond reasonableness that we have seen." None of this seems to have troubled the programme makers, who report the cosmic ray theory as if it trounces all competing explanations.
The film also maintains that manmade global warming is disproved by conflicting temperature data. Professor John Christy speaks about the discrepancy he discovered between temperatures at the Earth's surface and temperatures in the troposphere (or lower atmosphere). But the programme fails to mention that in 2005 his data were proved wrong, by three papers in Science magazine.
Christy himself admitted last year that he was mistaken. He was one of the authors of a paper which states the opposite of what he says in the film. "Previously reported discrepancies between the amount of warming near the surface and higher in the atmosphere have been used to challenge the reliability of climate models and the reality of human-induced global warming. Specifically, surface data showed substantial global-average warming, while early versions of satellite and radiosonde data showed little or no warming above the surface. This significant discrepancy no longer exists because errors in the satellite and radiosonde data have been identified and corrected."
Until recently, when found to be wrong, scientists went back to their labs to start again. Now, emboldened by the denial industry, some of them, like the film-makers, shriek "censorship!". This is the best example of manufactured victimhood I have come across. If you demonstrate someone is wrong, you are now deemed to be silencing him.
But there is one scientist in the film whose work has not been debunked: the oceanographer Carl Wunsch. He appears to support the idea that increasing carbon dioxide is not responsible for rising global temperatures. Wunsch says he
was "completely misrepresented" by the programme, and "totally misled" by the
people who made it.
This is a familiar story to those who have followed the career of the director Martin Durkin. In 1998, the Independent Television Commission found that, when making a similar series, he had "misled" his interviewees about "the content and purpose of the programmes". Their views had been "distorted through selective editing". Channel 4 had to make a prime-time apology.
Cherry-pick your results, choose work which is already discredited, and anything and everything becomes true. The twin towers were brought down by controlled explosions; MMR injections cause autism; homeopathy works; black people are less intelligent than white people; species came about through intelligent design. You can find lines of evidence which appear to support all these contentions, and, in most cases, professors who will speak up in their favour.
But this does not mean that any of them are correct. You can sustain a belief in these propositions only by ignoring the overwhelming body of contradictory data. To form a balanced, scientific view, you have to consider all the evidence, on both sides of the question. But for the film's commissioners, all that counts is the sensation. Channel 4 has always had a problem with science. No one in its science unit appears to understand the difference between a peer-reviewed paper and a clipping from the Daily Mail. It keeps commissioning people whose claims have been discredited - such as Durkin. But its failure to understand the scientific process just makes the job of whipping up a storm that much easier. The less true a programme is, the greater the controversy.
Mr. Steven GreenHead of Production
436 Essex RoadLondon
Dear Mr. Green:
I am writing to record what I told you on the telephone yesterday about your Channel 4 film "The Global Warming Swindle." Fundamentally, I am the one who was swindled---please read the email below that was sent to me (and re-sent by you). Based upon this email and subsequent telephone conversations, and discussions with the Director, Martin Durkin, I thought I was being asked to appear in a film that would discuss in a balanced way the complicated elements of understanding of climate change---in the best traditions of British television. Is there any indication in the email evident to an outsider that the product would be so tendentious, so unbalanced?
I was approached, as explained to me on the telephone, because I was known to have been unhappy with some of the more excitable climate-change stories in the British media, most conspicuously the notion that the Gulf Stream could disappear, among others. When a journalist approaches me suggesting a "critical approach" to a technical subject, as the email states, my inference is that we are to discuss which elements are contentious, why they are contentious, and what the arguments are on all sides.
To a scientist, "critical" does not mean a hatchet job---it means a thorough-going examination of the science. The scientific subjects described in the email, and in the previous and subsequent telephone conversations, are complicated, worthy of exploration, debate, and an educational effort with the public. Hence my willingness to participate. Had the words "polemic", or "swindle" appeared in these preliminary discussions, I would have instantly declined to be involved.
I spent hours in the interview describing many of the problems of understanding the ocean in climate change, and the ways in which some of the more dramatic elements get exaggerated in the media relative to more realistic, potentially truly catastrophic issues, such as the implications of the oncoming sea level rise. As I made clear, both in the preliminary discussions, and in the interview itself, I believe that global warming is a very serious threat that needs equally serious discussion and no one seeing this film could possibly deduce that.
What we now have is an out-and-out propaganda piece, in which there is not even gesture toward balance or explanation of why many of the extended inferences drawn in the film are not widely accepted by the scientific community. There are so many examples, it's hard to know where to begin, so I will cite only one: a speaker asserts, as is true, that carbon dioxide is only a small fraction of the atmospheric mass. The viewer is left to infer that means it couldn't really matter. But even a beginning meteorology student could tell you that the relative masses of gases are irrelevant to their effects on radiative balance. A director not intending to produce pure propaganda would have tried to eliminate that piece of disinformation.
An example where my own discussion was grossly distorted by context: I am shown explaining that a warming ocean could expel more carbon dioxide than it absorbs -- thus exacerbating the greenhouse gas buildup in the atmosphere and hence worrisome. It was used in the film, through its context, to imply that CO2 is all natural, coming from the ocean, and that therefore the human element is irrelevant. This use of my remarks, which are literally what I said, comes close to fraud.
I have some experience in dealing with TV and print reporters and do understand something of the ways in which one can be misquoted, quoted out of context, or otherwise misinterpreted. Some of that is inevitable in the press of time or space or in discussions of complicated issues. Never before, however, have I had an experience like this one. My appearance in the "Global Warming Swindle" is deeply embarrasing, and my professional reputation has been damaged. I was duped---an uncomfortable position in which to be.
At a minimum, I ask that the film should never be seen again publicly with my participation included. Channel 4 surely owes an apology to its viewers, and perhaps WAGTV owes something to Channel 4. I will be taking advice as to whether I should proceed to make some more formal protest.
Cecil and Ida
Green Professor of Physical Oceanography
Massachusetts Institute of Technology